​BRUCE WHITCOMB
MUSICIAN &
PRODUCER

PLAYING INSTRUCTION

FOR BEGINNERS
Many times I've heard people say that they would have taken up the guitar or bass, but the strings were too hard on their hands or that the position of the left hand is just to hard to hold. There are certainly good habits you can learn in the beginning that will help you greatly as you learn more. But to me, the most important things concerning these surmountable problems begin with the physical instrument itself. Every stringed instrument needs a "set up" to make sure it is in optimal playing condition- so that it plays in tune and is as easy to play as possible. Almost every store bought guitar or bass - expensive or inexpensive- needs certain adjustments to optimize it as an easily playable instrument that makes all of your efforts sound good and helps to inspire you to play and practice. They will make the difference between a "tolerable" (or even intolerable) instrument and an "inspiring" one. I have set up guitars and basses for students and fellow players for years just as I've always stayed on top of my own instruments. It is not all that hard to do, and if you become more of a player over time, it will make a major positive difference for you to learn how to do this on your own.
Learning anything new can be a bit daunting in the beginning. Just like you, at one point I was a beginner on guitar, bass, and other stringed instruments. I have both played and taught quite a bit over the years, and I have done my very best to listen to students about what they don't understand from their point of view. Many times this reintroduces me to problems I had in the beginning; and as a teacher, I welcome hearing about what you can't quite grasp or need to or want to work on. This only helps me be a better teacher and to get you where we both want you to be- playing and practicing in an inspired way where you can hear and feel yourself growing along the way. Once you get to that point, the word "practice" seems to lose its meaning- it is no longer work, it's truly fun. I also want you to learn in the styles that you like, so I won't give you a bunch of things that are too hard to do or that are not appropriate for you as an individual. I'm particularly good at teaching music theory and how it applies to either the guitar or bass. Simply put, music theory deals with the various forms of intervals, chords, scales and melodic patterns one can create on most any instrument. The more you know about music theory, the quicker you can identify these forms when you hear them, and the better you can visualize where your fingers would go to recreate exactly what you've heard or to play things as you create them in your mind. I combine lessons with showing you stylistic elements of the music you like with theory. It all can be applied through songs that you want to learn, so you are learning concrete pieces of music in the process as you go along. To me, this is the best combination of musical tools to enable you to choose appropriate chords or improvised lines in all contexts in any type of music.
FOR MORE ADVANCED PLAYERS
When I was in my teens, I loved the music of the Beatles and other bands of the day. After that, I got into blues playing for many years, and to this day I still love playing the blues whether in a rock or a jazz context. The whole concept of improvisation has been a major study of mine for most of my life. Hearing players like B.B. King, Albert Collins, Jeff Beck, Eric Clapton, Jimi Hendrix- this all opened a world of improvisation that fascinated me from a certain "gut" feel of blues and rock. At one point when I was about 18, I met guitarist Pat Metheny who is also my age. Also at this point, I really wanted to start playing some other new and more challenging music. Pat let me borrow some George Benson and Wes Mongomery records way back in 1972, and that started my new found interest in jazz improvisation. I met Jaco Pastorius in Miami at the same time, and although I wouldn't pick up a bass for several years after, his influence on my bass playing was immediate. Pat had just met pianist Herbie Hancok earlier that year, and Pat explained to me somewhat the concept of bitonality which Herbie had explained to him in a nutshell. Most of my conception of improvisation has centered around these and other concepts for decades now. These are theoretic concepts in music and can be applied to any instrument. There are so many new associations you will begin to see and hear between harmonic elements and scale types, and you will even begin to conceive of playing in different keys other than what may be the prevailing key in a playing situation. The moods that can be created from bitonal harmony and the melodic lines that can accompany your improvisation are incredibly more diverse than those which are found in most popular music forms. Because of this alone, I have been quite drawn to playing in this way for a long time. To this day, I get up very early in the morning and practice hopefully for at least a couple of hours reviewing many things I've worked out and tried to commit to memory for years to keep them in memory and in physical touch. The type of playing which I have always strived for is chocked full of chromatic color, but with a large degree of logic behind it. If you are more interested in learning how to incorporate these elements into your playing, I guarantee I can be a catalyst for you in this direction. Also as a jazz player, I try to keep my vocabulary of chords, improvised lines, substitution ideas, etc. as open and diverse as possible. All of these things will spill over into other styles that you play and can keep you a very interesting player no matter how consonant or dissonant you want your playing to be. Please contact me if any of this sounds interesting to you. It has been probably my biggest passion in life since my late teens. Get contact info. through the the "CONTACTS" link (last page of this site).

My good friend and favorite
guitarist for decades- Mike Stern

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"GUITGO" TO HIRE FOR LIVE EVENTS
Guitgo is a "band in one" solo performance unit comprised of a small but versatile high
fidelity stereo system, stereo guitar amplifiers, and myself playing live guitar to pre-recorded arranged versions of pop tunes, American Songbook tunes, and other standard jazz pieces plus some originals of my own. Having produced and mastered many recordings in the past thirty years, I have always wanted to create this format for myself as a performance vehicle for clubs, restaurants, special events, etc. It took quite a while to create and mix at least thirty pieces to be able to successfully cover up to a three hour engagement without repetition. To this end, I have succeeded; and as time permits, more tunes will be added to the repertoire. Some songs are as simple as a jazz trio in concept; yet some tunes with the addition of piano, orchestral string arrangements, and recorded live percussion, sound like a full blown orchestra. As I use only live electric guitar which is fully adjustable volume-wise, and as the tracks can all be similarly attenuated in volume; Guitgo can virtually play at any volume from a whisper to lightly filling up a large room. Live jazz and pop music bands can't always keep this promise- at least on the quieter side. Plus the physical footprint for Guitgo is approximately 7' by 2', or it can be a bit less than 5'x 3' with speakers spread less wide apart. Even a small trio needs at least twice this amount of space to set up. In the end, all melodies and solos are singularly played by yours truly, but the diversity of arrangements and recorded grooves and instruments used hopefully keeps this limitation comparatively small to the listener. I didn't set out to further the limits of larger live bands in the market place, moreover I wanted to create a live jazz and pop performance vehicle that could be more of an option for venues which would like to have a live music component to offer yet which may not be able to support this option financially by hiring more than one individual to that end. ***Please go to "contact" page for additional information.


Anogther truly
amazing guitarist-
Eric Johnson